Project Gutenberg
Antony and Cleopatra
Shakespeare, William
10 chapters · 79 pages · 26,770 wordsACT I
Scene I.
Alexandria. A Room in Cleopatra's palace.
Scene II.
Alexandria. Another Room in Cleopatra's palace.
Scene III.
Alexandria. A Room in Cleopatra's palace.
Scene IV.
Rome. An Apartment in Caesar's House
Scene V.
Alexandria. A Room in the Palace.
ACT II
Scene I.
Messina. A Room in Pompey's house.
Scene II.
Rome. A Room in the House of Lepidus.
Scene III.
Rome. A Room in Caesar's House.
Scene IV.
Rome. A street.
Scene V.
Alexandria. A Room in the Palace.
Scene VI.
Near Misenum.
Scene VII.
On board Pompey's Galley, lying near Misenum.
ACT III
Scene I.
A plain in Syria.
Scene II.
Rome. An Ante-chamber in Caesar's house.
Scene III.
Alexandria. A Room in the Palace.
Scene IV.
Athens. A Room in Antony's House.
Scene V.
Athens. Another Room in Antony's House.
Scene VI.
Rome. A Room in Caesar's House.
Scene VII.
Antony's Camp near the Promontory of Actium.
Scene VIII.
A plain near Actium.
Scene IX.
Another part of the Plain.
Scene X.
Another part of the Plain.
Scene XI.
Alexandria. A Room in the Palace.
Scene XII.
Caesar's camp in Egypt.
Scene XIII.
Alexandria. A Room in the Palace.
ACT IV
Scene I.
Caesar's Camp at Alexandria.
Scene II.
Alexandria. A Room in the Palace.
Scene III.
Alexandria. Before the Palace.
Scene IV.
Alexandria. A Room in the Palace.
Scene V.
Antony's camp near Alexandria.
Scene VI.
Alexandria. Caesar's camp.
Scene VII.
Field of battle between the Camps.
Scene VIII.
Under the Walls of Alexandria.
Scene IX.
Caesar's camp.
Scene X.
Ground between the two Camps.
Scene XI.
Another part of the Ground.
Scene XII.
Another part of the Ground.
Scene XIII.
Alexandria. A Room in the Palace.
Scene XIV.
Alexandria. Another Room.
Scene XV.
Alexandria. A monument.
ACT V
Scene I. Caesar's Camp before Alexandria. Scene II. Alexandria. A Room in the Monument. Dramatis Personæ MARK ANTONY, Triumvir OCTAVIUS CAESAR, Triumvir LEPIDUS, Triumvir SEXTUS POMPEIUS, DOMITIUS ENOBARBUS, friend to Antony VENTIDIUS, friend to Antony EROS, friend to Antony SCARUS, friend to Antony DERCETUS, friend to Antony DEMETRIUS, friend to Antony PHILO, friend to Antony MAECENAS, friend to Caesar AGRIPPA, friend to Caesar DOLABELLA, friend to Caesar PROCULEIUS, friend to Caesar THIDIAS, friend to Caesar GALLUS, friend to Caesar MENAS, friend to Pompey MENECRATES, friend to Pompey VARRIUS, friend to Pompey TAURUS, Lieutenant-General to Caesar CANIDIUS, Lieutenant-General to Antony SILIUS, an Officer in Ventidius's army EUPHRONIUS, an Ambassador from Antony to Caesar ALEXAS, attendant on Cleopatra MARDIAN, attendant on Cleopatra SELEUCUS, attendant on Cleopatra DIOMEDES, attendant on Cleopatra
A SOOTHSAYER
A CLOWNCLEOPATRA, Queen of Egypt OCTAVIA, sister to Caesar and wife to Antony CHARMIAN, Attendant on Cleopatra IRAS, Attendant on Cleopatra Officers, Soldiers, Messengers, and other Attendants SCENE: Dispersed, in several parts of the Roman Empire.
ACT I
SCENE I. Alexandria. A Room in Cleopatra's palace. Enter Demetrius and Philo.
PHILONay, but this dotage of our general's O'erflows the measure. Those his goodly eyes, That o'er the files and musters of the war Have glowed like plated Mars, now bend, now turn The office and devotion of their view On a tawny front. His captain's heart, Which in the scuffles of great fights hath burst The buckles on his breast, reneges all temper And is become the bellows and the fan To cool a gipsy's lust.
Flourish. Enter Antony and Cleopatra, her Ladies, the Train, with Eunuchs fanning her. Look where they come: Take but good note, and you shall see in him The triple pillar of the world transform'd Into a strumpet's fool. Behold and see. CLEOPATRA. If it be love indeed, tell me how much. ANTONY. There's beggary in the love that can be reckoned. CLEOPATRA. I'll set a bourn how far to be beloved. ANTONY. Then must thou needs find out new heaven, new earth. Enter a Messenger. MESSENGER. News, my good lord, from Rome. ANTONY. Grates me, the sum.
CLEOPATRANay, hear them, Antony. Fulvia perchance is angry; or who knows If the scarce-bearded Caesar have not sent His powerful mandate to you: "Do this or this; Take in that kingdom and enfranchise that. Perform't, or else we damn thee." ANTONY. How, my love? CLEOPATRA. Perchance! Nay, and most like. You must not stay here longer; your dismission Is come from Caesar; therefore hear it, Antony. Where's Fulvia's process?—Caesar's I would say? Both? Call in the messengers. As I am Egypt's queen, Thou blushest, Antony, and that blood of thine Is Caesar's homager; else so thy cheek pays shame When shrill-tongued Fulvia scolds. The messengers!
ANTONYLet Rome in Tiber melt, and the wide arch Of the ranged empire fall! Here is my space. Kingdoms are clay. Our dungy earth alike Feeds beast as man. The nobleness of life Is to do thus [Embracing]; when such a mutual pair And such a twain can do't, in which I bind, On pain of punishment, the world to weet We stand up peerless.
CLEOPATRAExcellent falsehood! Why did he marry Fulvia, and not love her? I'll seem the fool I am not. Antony Will be himself.
ANTONYBut stirred by Cleopatra. Now, for the love of Love and her soft hours, Let's not confound the time with conference harsh. There's not a minute of our lives should stretch Without some pleasure now. What sport tonight? CLEOPATRA. Hear the ambassadors.
ANTONYFie, wrangling queen! Whom everything becomes—to chide, to laugh, To weep; whose every passion fully strives To make itself, in thee fair and admired! No messenger but thine, and all alone Tonight we'll wander through the streets and note The qualities of people. Come, my queen, Last night you did desire it. Speak not to us.
[Exeunt Antony and Cleopatra with the Train.] DEMETRIUS. Is Caesar with Antonius prized so slight?
PHILOSir, sometimes when he is not Antony, He comes too short of that great property Which still should go with Antony.
DEMETRIUSI am full sorry That he approves the common liar who Thus speaks of him at Rome, but I will hope Of better deeds tomorrow. Rest you happy!
[Exeunt.] SCENE II. Alexandria. Another Room in Cleopatra's palace. Enter Enobarbus, a Soothsayer, Charmian, Iras, Mardian and Alexas. CHARMIAN. Lord Alexas, sweet Alexas, most anything Alexas, almost most absolute Alexas, where's the soothsayer that you praised so to th' queen? O, that I knew this husband which you say must charge his horns with garlands! ALEXAS. Soothsayer! SOOTHSAYER. Your will? CHARMIAN. Is this the man? Is't you, sir, that know things?
SOOTHSAYERIn nature's infinite book of secrecy A little I can read. ALEXAS. Show him your hand.
ENOBARBUSBring in the banquet quickly; wine enough Cleopatra's health to drink. CHARMIAN. Good, sir, give me good fortune. SOOTHSAYER. I make not, but foresee. CHARMIAN. Pray, then, foresee me one. SOOTHSAYER. You shall be yet far fairer than you are. CHARMIAN. He means in flesh. IRAS. No, you shall paint when you are old. CHARMIAN. Wrinkles forbid! ALEXAS. Vex not his prescience. Be attentive. CHARMIAN. Hush! SOOTHSAYER. You shall be more beloving than beloved. CHARMIAN. I had rather heat my liver with drinking. ALEXAS. Nay, hear him. CHARMIAN. Good now, some excellent fortune! Let me be married to three kings in a forenoon and widow them all. Let me have a child at fifty, to whom Herod of Jewry may do homage. Find me to marry me with Octavius Caesar, and companion me with my mistress. SOOTHSAYER. You shall outlive the lady whom you serve. CHARMIAN. O, excellent! I love long life better than figs.
SOOTHSAYERYou have seen and proved a fairer former fortune Than that which is to approach. CHARMIAN. Then belike my children shall have no names. Prithee, how many boys and wenches must I have?