D. H. LawrenceThe Shades of Spring

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The Shades of Spring

D. H. Lawrence

1 chapters · 4,033 words
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II

The farm was less than a hundred yards from the edge of the wood. The wall of trees formed the fourth side of the open quadrangle. The house faced the wood. With tangled emotions, Syson noted the plum blossom falling on the profuse, coloured primroses, which he himself had brought here and planted. How they had increased! There were thick tufts of scarlet, pink, and pale purple primroses under the plum trees. He saw somebody glance at him through the kitchen window, heard men's voices.

Illustration for The Shades of Spring

The door opened suddenly: she had grown very womanly! He felt himself going pale.

"You?—Addy!" she exclaimed, and stood motionless.

"Who?" called the farmer's voice. Low men's voices answered. Those low voices, curious and almost jeering, roused the tormented spirit in the visitor. Smiling brilliantly at her, he waited.

"Myself—why not?" he said.

The flush burned deeply on her cheek and throat.

"We are just finishing dinner," she said.

"Then I will stay outside." He made a motion to show that he would sit on the red earthenware pipkin that stood near the door among the daffodils, and contained the drinking water.

"Oh no, come in," she said hurriedly. He followed her. In the doorway, he glanced swiftly over the family, and bowed. Everyone was confused. The farmer, his wife, and the four sons sat at the coarsely laid dinner-table, the men with their arms bare to the elbows.

"I am sorry I come at lunch-time," said Syson.

"Hello, Addy!" said the farmer, assuming the old form of address, but his tone was cold. "How are you?"

And he shook hands.

"Shall you have a bit?" he invited the young visitor, but took it for granted that the offer would be refused. He assumed that Syson had become too refined to eat so roughly. The young man winced at the imputation.

"Have you had any dinner?" asked the daughter.

"No," replied Syson. "It is too early. I shall be back at half-past one."

"You call it lunch, don't you?" asked the eldest son, almost ironically. He had once been an intimate friend of this young man.

"We'll give Addy something when we've finished," said the mother, an invalid, deprecatingly.

"No—don't trouble. I don't want to give you any trouble," said Syson.

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"You could always live on fresh air and scenery," laughed the youngest son, a lad of nineteen.

Syson went round the buildings, and into the orchard at the back of the house, where daffodils all along the hedgerow swung like yellow, ruffled birds on their perches. He loved the place extraordinarily—the hills ranged round, with bear-skin woods covering their giant shoulders, and small red farms like brooches clasping their garments; the blue streak of water in the valley, the bareness of the home pasture, the sound of myriad-threaded bird-singing, which went mostly unheard. To his last day, he would dream of this place, when he felt the sun on his face, or saw the small handfuls of snow between the winter twigs, or smelt the coming of spring.

Hilda was very womanly. In her presence he felt constrained. She was twenty-nine, as he was, but she seemed to him much older. He felt foolish, almost unreal, beside her. She was so static. As he was fingering some shed plum blossom on a low bough, she came to the back door to shake the tablecloth. Fowls raced from the stackyard, birds rustled from the trees. Her dark hair was gathered up in a coil like a crown on her head. She was very straight, distant in her bearing. As she folded the cloth, she looked away over the hills.

Presently Syson returned indoors. She had prepared eggs and curd cheese, stewed gooseberries and cream.

"Since you will dine tonight," she said, "I have only given you a light lunch."

"It is awfully nice," he said. "You keep a real idyllic atmosphere—your belt of straw and ivy buds."

Still they hurt each other.

He was uneasy before her. Her brief, sure speech, her distant bearing, were unfamiliar to him. He admired again her grey-black eyebrows, and her lashes. Their eyes met. He saw, in the beautiful grey and black of her glance, tears and a strange light, and at the back of it all, a calm acceptance of herself, and triumph over him.

He felt himself shrinking. With an effort he kept up the ironic manner.

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She sent him into the parlour while she washed the dishes. The long, low room had been refurnished from the Abbey sale, with chairs upholstered in claret-coloured rep, many years old, and an oval table of polished walnut, and another piano, handsome, though still antique. In spite of the strangeness, he was pleased. Opening a high cupboard let into the thickness of the wall, he found it full of his books, his old lesson-books, and volumes of verse he had sent her, English and German. The daffodils in the white window-bottoms shone across the room; he could almost feel their rays. The old glamour caught him again. His youthful water-colours on the wall no longer made him grin; he remembered how fervently he had tried to paint for her, twelve years before.

She entered, wiping a dish, and he saw again the bright, kernel-white beauty of her arms.

"You are quite splendid here," he said, and their eyes met.

"Do you like it?" she asked. It was the old, low, husky tone of intimacy. He felt a quick change beginning in his blood. It was the old, delicious sublimation, the thinning, almost the vaporizing of himself, as if his spirit were to be liberated.

"Aye," he nodded, smiling at her like a boy again. She bowed her head.

"This was the countess's chair," she said in low tones. "I found her scissors down here between the padding."

"Did you? Where are they?"

Quickly, with a lilt in her movement, she fetched her work-basket, and together they examined the long-shanked old scissors.

"What a ballad of dead ladies!" he said, laughing, as he fitted his fingers into the round loops of the countess's scissors.

"I knew you could use them," she said, with certainty. He looked at his fingers, and at the scissors. She meant his fingers were fine enough for the small-looped scissors.

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"That is something to be said for me," he laughed, putting the scissors aside. She turned to the window. He noticed the fine, fair down on her cheek and her upper lip, and her soft, white neck, like the throat of a nettle flower, and her fore-arms, bright as newly blanched kernels. He was looking at her with new eyes, and she was a different person to him. He did not know her. But he could regard her objectively now.

"Shall we go out awhile?" she asked.

"Yes!" he answered. But the predominant emotion, which troubled the excitement and perplexity of his heart, was fear—fear of that which he saw. There was about her the same manner, the same intonation in her voice, now as then, but she was not what he had known her to be. He knew quite well what she had been for him. And gradually he realized that she was something quite different, and always had been.

She put no covering on her head; she merely took off her apron, saying, "We will go by the larches." As they passed the old orchard, she called him over to show him a blue-tit's nest in one of the apple trees, and a sycock's nest in the hedge. He was rather puzzled by her certainty, by a certain hardness—like arrogance—hidden beneath her humility.

"Look at the apple buds," she said, and he then saw myriads of tiny scarlet balls among the drooping branches. Watching his face, her eyes hardened. She saw that the scales had fallen from his eyes, and at last he was going to see her as she was. This was what she had most dreaded in the past, and what she most needed, for the sake of her soul. Now he was going to see her as she was. He would not love her, and he would know that he could never have loved her. The old illusion gone, they were strangers, crude and complete. But he would give her her due—she would have her due from him.

She was brilliant as he had never known her. She showed him nests: a jenny wren's in a low bush.

"See this jinty's!" she exclaimed.

He was surprised to hear her use the local name. She reached carefully through the thorns, and put her fingers into the nest's round door.

"Five!" she said. "Tiny little things."

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Illustration for The Shades of Spring

She showed him nests of robins, and chaffinches, and linnets, and buntings; of a wagtail beside the water.

"And if we go down, nearer the lake, I will show you a kingfisher's...."

"Among the young fir trees," she said, "there's a throstle's or a blackie's nest on nearly every bough, every ledge." On the first day, when I had seen them all, I felt as if I must not go into the wood. It seemed a city of birds: and in the morning, hearing them all, I thought of the noisy early markets. I was afraid to go into my own wood."

She was using the language they had both invented. Now it was all hers. He was done with it. She did not mind his silence, but was always dominant, letting him see her wood. As they came along a marshy path where forget-me-nots were opening in a rich blue drift: "We know all the birds, but there are many flowers we can't identify," she said. It was half an appeal to him, who had known the names of things.

She looked dreamily across to the open fields that slept in the sun.

"I have a lover as well, you know," she said, with assurance, yet dropping again almost into the intimate tone.

This awakened in him the spirit to fight her.

"I think I met him. He is good-looking—also in Arcady."

Without answering, she turned onto a dark path that led uphill, where the trees and undergrowth were very thick.

"They did well," she said at length, "to have various altars to various gods, in old days."

"Ah yes!" he agreed. "To whom is the new one?"

"There are no old ones," she said. "I was always looking for this."

"And whose is it?" he asked.

"I don't know," she said, looking directly at him.

"I'm very glad, for your sake," he said, "that you are satisfied."

"Aye—but the man doesn't matter so much," she said. There was a pause.

"No!" he exclaimed, astonished, yet recognizing her as her true self.

"It is one's self that matters," she said. "Whether one is being one's own self and serving one's own God."

There was silence, during which he pondered. The path was almost flowerless and gloomy. At the side, his heels sank into soft clay.

III

Illustration for The Shades of Spring

"I," she said, very slowly, "I was married the same night as you."

He looked at her.

"Not legally, of course," she replied. "But—actually."

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"To the keeper?" he said, not knowing what else to say.

She turned to him.

"You thought I couldn't?" she said. But the flush was deep in her cheek and throat, for all her assurance.

Still he would not say anything.

"You see"—she was making an effort to explain—"I had to understand too."

"And what does it amount to, this understanding?" he asked.

"A very great deal—does it not to you?" she replied. "One is free."

"And you are not disappointed?"

"Far from it!" Her tone was deep and sincere.

"Do you love him?"

"Yes, I love him."

"Good!" he said.

This silenced her for a while.

"Here, among his things, I love him," she said.

His conceit would not let him be silent.

"Does it need this setting?" he asked.

"It does," she cried. "You were always making me be not myself."

He laughed shortly.

"But is it a matter of surroundings?" he said. He had considered her all spirit.

"I am like a plant," she replied. "I can only grow in my own soil."

They came to a place where the undergrowth shrank away, leaving a bare, brown space, pillared with the brick-red and purplish trunks of pine trees. On the fringe, hung the sombre green of elder trees, with flat flowers in bud, and below were bright, unfurling pennons of fern.

Illustration for The Shades of Spring

In the midst of the bare space stood a keeper's log hut. Pheasant-coops were lying about, some occupied by a clucking hen, some empty.

Hilda walked over the brown pine-needles to the hut, took a key from among the eaves, and opened the door. It was a bare wooden place with a carpenter's bench and form, carpenter's tools, an axe, snares, traps, some skins pegged down, everything in order. Hilda closed the door. Syson examined the weird flat coats of wild animals, which were pegged down to be cured. She turned some knotch in the side wall, and disclosed a second, small apartment.

"How romantic!" said Syson.

"Yes. He is very curious—he has some of a wild animal's cunning—in a nice sense—and he is inventive, and thoughtful—but not beyond a certain point."

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She pulled back a dark green curtain. The apartment was occupied almost entirely by a large couch of heather and bracken, on which was spread an ample rabbit-skin rug. On the floor were patchwork rugs of cat-skin, and a red calf-skin, while hanging from the wall were other furs. Hilda took down one, which she put on. It was a cloak of rabbit-skin and of white fur, with a hood, apparently made of the skins of stoats. She laughed at Syson from out of this barbaric mantle, saying: "What do you think of it?"

"Ah—!" he replied. "I congratulate you on your man."

"And look!" she said.

In a little jar on a shelf were some sprays, frail and white, of the first honeysuckle.

"They will scent the place at night," she said.

He looked round curiously.

"Where does he come short, then?" he asked. She gazed at him for a few moments. Then, turning aside: "The stars aren't the same with him," she said. "You could make them flash and quiver, and the forget-me-nots come up at me like phosphorescence. You could make things wonderful. I have found it out—it is true. But I have them all for myself, now."

He laughed, saying: "After all, stars and forget-me-nots are only luxuries." "You ought to make poetry."

"Aye," she assented. "But I have them all now."

Again he laughed bitterly at her.

She turned swiftly. He was leaning against the small window of the tiny, obscure room, and was watching her, who stood in the doorway, still cloaked in her mantle. His cap was removed, so she saw his face and head distinctly in the dim room. His black, straight, glossy hair was brushed clean back from his brow. His black eyes were watching her, and his face, which was clear and cream-colored, and perfectly smooth, was flickering.

"We are very different," she said bitterly.

Again he laughed.

"I see you disapprove of me," he said.

"I disapprove of what you have become," she said.

"Do you think we might"—he glanced at the hut—"have been like this—you and I?"

She shook her head.

"You! No; never! You plucked a thing and looked at it until you had found out all you wanted to know about it, then you threw it away," she said.

"Did I?" he asked. "And could your way never have been my way? I suppose not."

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"Why should it?" she said. "I am a separate being."

"But surely two people sometimes go the same way," he said.

"You took me away from myself," she said.

He knew he had mistaken her, had taken her for something she was not. That was his fault, not hers.

"And did you always know?" he asked.

"No—you never let me know. You bullied me. I couldn't help myself. I was glad when you left me, really."

"I know you were," he said. But his face grew paler, almost deathly luminous.

"Yet," he said, "it was you who sent me on the path I have followed."

"I!" she exclaimed, in pride.

"You would have me take the Grammar School scholarship—and you would have me foster poor little Botell's fervent attachment to me, till he couldn't live without me—and because Botell was rich and influential. You triumphed in the wine-merchant's offer to send me to Cambridge, to befriend his only child. You wanted me to rise in the world. And all the time you were sending me away from you—every new success of mine put a separation between us, and more for you than for me. You never wanted to come with me: you just wanted to send me to see what it was like. I believe you even wanted me to marry a lady. You wanted to triumph over society through me."

"And I am responsible," she said, with sarcasm.

"I distinguished myself to satisfy you," he replied.

"Ah!" she cried, "you always wanted change, change, like a child."

"Very well! And I am a success, and I know it, and I do some good work. But—I thought you were different. What right do you have to a man?"

"What do you want?" she said, looking at him with wide, fearful eyes.

He looked back at her, his eyes pointed, like weapons.

"Why, nothing," he laughed shortly.

Illustration for The Shades of Spring

There was a rattling at the outer latch, and the keeper entered. The woman glanced round, but remained standing, fur-cloaked, in the inner doorway. Syson did not move.

The other man entered, saw, and turned away without speaking. The two also remained silent.

Pilbeam attended to his skins.

"I must go," said Syson.

"Yes," she replied.

"Then I give you 'To our vast and varying fortunes.'" He lifted his hand in pledge.

"'To our vast and varying fortunes,'" she answered gravely, speaking in cold tones.

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"Arthur!" she said.

The keeper pretended not to hear. Syson, watching keenly, began to smile. The woman drew herself up.

"Arthur!" she said again, with a curious upward inflection, which warned the two men that her soul was trembling on the brink of a dangerous crisis.

The keeper slowly put down his tool and came to her.

"Yes," he said.

"I wanted to introduce you," she said, trembling.

"I've met him already," said the keeper.

"Have you? It is Addy, Mr Syson, whom you know about.—This is Arthur, Mr Pilbeam," she added, turning to Syson. The latter held out his hand to the keeper, and they shook hands in silence.

"I'm glad to have met you," said Syson. "We're dropping our correspondence, Hilda?"

"Why should we?" she asked.

The two men stood at a loss. "Is there no need?" said Syson.

Still she was silent.

Illustration for The Shades of Spring

"It is as you will," she said.

The three of them went down the gloomy path together. "'Qu'il était bleu, le ciel, et grand l'espoir,'" quoted Syson, not knowing what to say.

"What do you mean?" she said. "Besides, we can't walk in our wild oats—we never sowed any."

Syson looked at her. He was startled to see his young love, his nun, his Botticelli angel, so revealed. It was he who had been the fool. He and she were more separated than any two strangers could be. She only wanted to keep up a correspondence with him—and he, of course, wanted it kept up, so that he could write to her, like Dante to some Beatrice who had never existed save in the man's own brain.

At the bottom of the path she left him. He went along with the keeper, towards the open, towards the gate that closed on the wood. The two men walked almost like friends. They did not broach the subject of their thoughts.

Instead of going straight to the high-road gate, Syson went along the edge of the wood, where the brook spread out into a little bog, and under the alder trees, among the reeds, great yellow stools and clumps of marigolds shone. Threads of brown water trickled by, touched with gold from the flowers. Suddenly there was a blue flash in the air, as a kingfisher passed.

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Syson was extraordinarily moved. He climbed the bank to the gorse bushes, whose sparks of blossom had not yet gathered into a flame. Lying on the dry brown turf, he discovered sprigs of tiny purple milkwort and pink spots of lousewort. What a wonderful world it was—marvelous, ever new. He felt as if he were underground, like the fields of monotone hell, notwithstanding. Inside his breast was a pain like a wound. He remembered the poem by William Morris, where in the Chapel of Lyonesse a knight lay wounded, with the truncheon of a spear deep in his breast, lying always as dead, yet did not die, while day after day the coloured sunlight dipped from the painted window across the chancel, and passed away. He knew now that it had never been true, what was between him and her, not for a moment. The truth had stood apart all the time.

Syson turned over. The air was full of the sound of larks, as if the sunshine above were condensing and falling in a shower. Amid this bright sound, voices sounded small and distinct.

"But if he's married, an' quite willing to drop it off, what has ter against it?" said the man's voice.

"I don't want to talk about it now. I want to be alone."

Syson looked through the bushes. Hilda was standing in the wood, near the gate. The man was in the field, loitering by the hedge, and playing with the bees as they settled on the white bramble flowers.

There was silence for a while, during which Syson imagined her will among the brightness of the larks. Suddenly the keeper exclaimed "Ah!" and swore. He was gripping at the sleeve of his coat, near the shoulder. Then he pulled off his jacket, threw it on the ground, and absently rolled up his shirt sleeve right to the shoulder.

"Ah!" he said vindictively, as he picked out the bee and flung it away. He twisted his fine, bright arm, peering awkwardly over his shoulder.

"What is it?" asked Hilda.

"A bee—crawled up my sleeve," he answered.

"Come here to me," she said.

The keeper went to her, like a sulky boy. She took his arm in her hands.

"Here it is—and the sting left in—poor bee!"

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She picked out the sting, put her mouth to his arm, and sucked away the drop of poison. As she looked at the red mark her mouth had made, and at his arm, she said, laughing: "That is the reddest kiss you will ever have."

Illustration for The Shades of Spring

When Syson next looked up, at the sound of voices, he saw in the shadow the keeper with his mouth on the throat of his beloved, whose head was thrown back, and whose hair had fallen, so that one rough rope of dark brown hair hung across his bare arm.

"No," the woman answered. "I am not upset because he's gone. You won't understand...."

Syson could not distinguish what the man said.

Illustration for The Shades of Spring

Hilda replied, clear and distinct: "You know I love you. He has gone quite out of my life—don't trouble about him...." He kissed her, murmuring. She laughed hollowly.

"Yes," she said, indulgently. "We will be married, we will be married. But not just yet." He spoke to her again. Syson heard nothing for a time. Then she said: "You must go home, now, dear—you will get no sleep."

Again was heard the murmur of the keeper's voice, troubled by fear and passion.

"But why should we be married at once?" she said. "What more would you have, by being married? It is most beautiful as it is."

At last he pulled on his coat and departed. She stood at the gate, not watching him, but looking over the sunny country.

When at last she had gone, Syson also departed, going back to town.

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